Curating Trauma: Marissa Cooper’s Death in The O.C.

Marissa Cooper.  If you are familiar with this blog, than you are familiar with my fascination and studies of trauma, death, exile, etc in teen television.  Marissa, one of the main characters of television series The O.C. , dies in the season 3 finale unexpectedly and traumatically via car accident.  Sure,  she was the so over-privlidged-and-beautiful-that-surely-must-self-destruct character from the get-go.    Still, she is one of the few characters from the series that has been consistently a main character since the pilot.  She dies, and the rest of the cast is left to carry on without her for one more season. …and then the show is cancelled.  They did try though, to show life after death somewhat realistically via teen soap context.

   
Many other shows the characters are sad for a little bit, maybe a few episodes, and then everything is fine.  Every now on then when it’s convenient they may remember that dead or missing friend for a bit, and back to forgetting.   In the O.C. the characters are not only devastated, but deeply changed.

Summer Roberts (Rachel Bilson) unable to face her former self, the one best friends with Marissa, creates an entirely new life for herself at Brown

The superficial seeming best friend, Summer Roberts,  becomes a hardcore environmentalist at Brown.  The love interest who also was at the scene of her death, Ryan Atwood, goes off the rails and gets involved in fighting matches for $$$$ and self punishment.

Marissa’s mother becomes a pill popping walking zombie, no longer able to check in to any other part of her life other than her daughter’s deaht  In the realm of teen television, this is pretty darn good.

Julie Cooper (Melinda Clarke) drugs herself into oblivion after her daughter's death.

Yet, the actual death of Marissa Cooper in the end of season 3…is very much in the melodramatic form you would expect from a teen show.   You have Ryan holding Marissa in his arms as she dies. …and best of all…you have the montages of the beautiful memories of Marissa.  Flashbacks to Ryan first meeting Marissa in the driveway..  She looks angelic, with the sun setting behind her (of course). We cut to Marissa dying in the road, after the car accident.  Everything feels epic and appropriately cinematic…many of Marissa and Ryan’s most important interactions in the series took place in the road/on a driveway.  If it wasn’t enough with the montage, cue the soundtrack of Imogen Heap’s cover of “Hallelujah”..the obligatory song of love and loss.  In this moment, the editing of the O.C. makes Marissa Cooper’s death feel very full circle in a way that life at the moment of a traumatic death does not.  They wrap up a bloody traumatic mess into a prettier network tv package that we can let into our living rooms.

This cheesy tv/pop culture strategies for marketing weighty issues in a light way is what I love.  I am starting to play around with this for painting ideas.

Painting Study 2

 

No editing here. I just screen capped this brilliant image. painting to come.

A Dame and a Dress

I know I am majorly late on this, but it doesn’t feel to proper to not have wished a certain dead movie star a happy birthday.  Marilyn Monroe was born 85 years ago this past June 1st.  Later today, June 18th, the infamous white pleated dress  from The Seven Year Itch is going up for auction.    Considering her JFK Birthday gown went for over a million…and Marilyn’s value has only risen, I have a feeling some records are going to be broken with this gown.

The dress was designed by Travilla, who designed many of Marilyn’s other costumes..including  such films as Bus Stop, How to Marry a Millionaire, Gentlemen Prefer Blondes and many more.  They met in 1950 when Marilyn asked to borrow Travilla’s dressing room to try on a costume.  More on Travilla’s Marilyn designs can be found over here.

Upon seeing high quality photos of the dress, I had almost forgotten how beautiful it is.  I had actually never noticed the bow in the front.  I wish the costume recreations of it held more true to the original. The amazing details of the garment seem to be continuously lost. Look at the airy floooow to it

The dress is from the collection of Debbie Reynolds…whom..by looking at the auction catalog..apparently had her own private museum of gems of Hollywood history.  Debbie acquired the bulk of the collection in the early 70′s directly from the studios when they began breaking up their inventory.   Little things..like you know, the blue dress Judy Garland wore in the Wizard of Oz, Marilyn’s red Gentleman Prefer Blondes ensemble, Audrey Hepburn’s grand white dress from My Fair Lady, or Joan Crawford’s waitress uniform from Mildred Pierce.  More on the Debbie Reynolds auction collection can be found here. It’s epic.

Anyway, Happy Belated Birthday Marilyn! I hope your dress finds a good home.

A Jackie-a-Day…kept me away.

I tried to do a Jackie-a-day, I really didt…but I couldn’t.  It wasn’t because of my work ethic, although I questioned it.  It was my interest level.  Jackie sounded great on paper, but not in practice.  (I know, that’s a set up for some JFK jokes, but refrain)

I was a bit surprised that Jackie didn’t draw me in as I had hoped.    I went into working with Marilyn Monroe’s image having no interest, and seeing no personal indentifications between the two of us…yet here we are, years later…and I am still fascinated by Miss Monroe and continuously being drawn in on am emotional level.  While Jackie O. holds much more in common with the people in my own life,  I quickly grew bored and detached, which you could see in the work.    The drawings and paintings never quite looked like Jackie, and slightly looked like my mother when she was young..or other female members of my family.   That’s you get with an icon I guess, but you need something more than just a slight personal touch.     Jackie would give me props for knowing when its time to step away….you know..before the point when you have to move to a private Greek island with a rich old man.   We part ways for now Jackie, but maybe we’ll talk later.

Sorry Jackie...

More to come on the projects I actually have been working on.

Jenny Humphrey is giving Brenda Walsh and run for her money.

If you  have followed my blog for any length at time,  it’s probably been brought to your attention that both Shannen Doherty as Brenda Walsh is a master on-screen-teen-crying…and that this is something I am fascinated by. Well Brenda, I think someone has taken the reigns for the next generation. It is none other than Taylor Momsen as Jenny Humphrey from Gossip Girl.

Taylor Momsen has every right to take the reigns from Shannen Doherty.  Like Shannen Doherty her personal like ‘drama’,..or more so..being young and snarky in the public eye, overshadows her tv drama.  Its been 20 years since Brenda Walsh first graced our televisions with her red-eyes/snotty-nosed/wet-cheeked presence.  Jenny Humphrey, or  affectionately/hatefully called “Little J” ,  brings in teen tv crying into the next century with style & bite.  She is not just crying for us about break-ups from high school loves…her priorities and successes/failures lie elsewhere  . She is crying for utter social destruction, for losing her virginity to an asshole (not her boyfriend/or exboyfriend), for falling from the social graces of NYC elite circles…and for her flaws being flaunted across the internet via gossip blogs.  To top it off, she does all this with some damn awesome runny-eyeliner creating a racoon-eyed teen cry tragedy.   Could we really ask for anything more?

Jenny Humphrey/Taylor Momsen…you truly deserve to take over the reigns of Teen Queen of TV Tears…and I thank you for that.  Please enjoy the following examples.



While Little J may currently be on hiatus from Gossip Girl, I expect that when she comes back it will be with a vengeance of tears….just how I like it.

‘xoxo’

Meeting Marilyn Monroe

I made my first trip to Hollywood.  This trip was a long time coming given the amount of research and work I’ve done on Old Hollywood.  You read, watch, hear, imagine a place…. a time period, part of land,…that when you actually visit it….the history reaches a different sense of clarity.  It’s feels surreal to focus so much on the history of a place, and then finally see it in contemporary context.  You thus see what’s left, and what now exists.    Hollywood is such a small part of land..and what remains is even smaller.

I was lucky enough to stay in the Hollywood Roosevelt Hotel, which in itself is living history….and in my eyes, one of the most fabulous combinations of historic updated with modern amenities.  If I was to be a rich fabulous hotel-living zillionaire, this would be my joint.

The other really powerful part of my trip was visiting was finally visiting Westwood Memorial Park, where Marilyn Monroe is buried.  To say that I have done a bit of Marilyn research is a vast understatement.  For someone so famous, it’s surprising how vague the text, conversation, and interpretations of her life are.  Visiting where her remains lie seemed a necessary piece of the puzzle.

The visit was surreal, to say the least.  The cemetery where she is interred is surprisingly small, and surprisingly hard to find…nestled behind a busy road and sky scrapers.  You wouldn’t expect that the place that holds that holds so many famous remains  (Jack Lemmon, Natalie Wood, Billy Wilder, John Cassevetes, Truman Capote, Farrah Fawcett, Burt Lancaster, Dean Martin,  Bettie Page….you get the idea) could be so incredibly small and hart to find.  These people are engrained our cultural conscientiousness, but the physical resting place of their bodies are incredibly easy to unknowingly pass by, even if you are specifically looking for them.   We must have driven around it 3 times.

Aerial View of Pierce Brothers/Westwood Memorial Park

Once you find Westwood Memorial, it’s doesn’t look all that different from an ordinary small graveyard.  The most striking difference may be the amount of variety of graves and markers for such a small space.  There are rows of crypts, your typical run down headstones, slick fresh headstones,  markers embedded in the ground that you nearly trip over, and of course the fancy more secluded areas complete with custom landscaping.  There’s also your single graveyard road that makes a loop through the whole graveyard, although it seems counterintuitive given how tiny yet epic this graveyard is.

I went to Westwood Memorial with my father.  He parked the rental car on the side of the graveyard road just as we had done in years past when visiting deceased members of our family in their resting palces.  This is the first time I have been to  a graveyard with my father that wasn’t for the purpose of visiting family members. Instead of going to the family plot, my dad took out his who’s who’s map of the graveyard that he had downloaded from the internet, and I bee-lined for Marilyn….feeling a bit odd about walking past so many recognizable dead.

A Latino man was at Marilyn’s crypt, probably not too much older than I.  He saw me see him and I stepped away to let him have his moment.   There was a mutual understanding and respect between us.  We both knew that this woman had enough of an impact on our lives to lead us to visit her hard-to-find grave…and to want to sit with her by ourselves.  He left and I walked over somewhat overwhelmed.   I didn’t want to hog Marilyn, but also didn’t want to share her.  I didn’t know how long I would have her to myself for before someone stopped by to either say that they’ve seen her grave, or to also have a private moment with her.

The flower holders on her crypt had wilted lilies in them and made me wish I had brought fresh flowers.  Her crypt is permanently tinted pink as a result of all the lipstick kisses given that wont wash off.  It is fittingly the only pink crypt in the cemetery.  I felt I had to leave something for her so I went back to the car, grabbed my rarely-worn-lipstick and went back to the bench by her crypt.  I put on the lipstick, sat there for a moment, and then kissed her crypt.  As I left a gust of wind came and my dress blew up.  It was a windy day while I am not one for superstition it clearly was very appropriate.  Even in death, the woman creates a deeper, and more powerful experience than one would expect.  I am glad, touch, honored, and inspired to have ‘met’ Marilyn….someone I have not only never met,  I have never lived in her lifetime…yet…..there is something to be said for visiting the grave of someone we have never met.  Like any other grave the person is no longer with us, but unlike a grave of someone familiar…we have an entire culture and history to figure out who this person was instead of a limited history via family and direct interaction.  Sometimes…..we just need to visit someone we never knew to feel thankful for our own existences, and the impact they left behind.  It was a pleasure, and privilege, to have ‘met’ you Marilyn.

Warehouse 11

An exciting new thing is happening in our studio space.  It has happened before, and it’s even more exciting because it will happen again.

As some of you may know, I life a unique M.C. Esher-esque kind of live/work space located in the Distillery in South Boston.  Most people’s reactions upon entering this space is ‘wow, I had no idea this type of space still existed in Boston!; It’s true that they do exist, but is also true that they are few and far between.

 

The space is too good to hog it to ourselves, so if we have this big unique awesome space..why not share it with other artists and like-minded folks?  There had been events years ago, but then there was a dead period before we moved in. Upon moving in,  the first event we had was the after0party for my 9.02.10: Teen Tv Residue gallery opening.  We brought folks over from the gallery, and then had the fantastic (and large) band Hallelujah the Hills jam out.  It was splendid, and won over a lot people.

 

Following HtH, we had a smaller event in November, “the Loitering Party”, a benefit for a retreat center in upstate New York.  The event included a Hi-5 championship, with trophies..live music, impromptu magic tricks…and a pillow fight in our cistern.

 

Dirkchinstrap & the Lawnmower Aborshuns

Our most recent event was coordinated with the fabulous Mali Sastri of the band Jaggery.  In the past these events, ORGs, were held at her place in the South End.  This was her first Org held away from home, and thus became known as “Org Away From Home”.  There was a wonderful collection of live music including Mary Fay Holt, Jaggery, Garvy J,  and Black Fortress of Opium.  There was also live theater by Naomi Bennett , poetry read by Edrie of Army of Broken Toys and Adam Annable.  Art scenes in Boston can be very insular to say the least and this event was a splendid merging of worlds.

Mali Sastri Soundchecking.

Garvy J

So things are starting to get going, and it has that magical-artists-coming-together-feeling.  The next event we are working on, being spearheaded by my roommate Mary Fay Holt, will be taking place Saturday March 5.  The theme is Sex and/Or Death, and will be a splendid variety of things including live music, performance, installation, and a malcontent craft fair.  If you are interested in the music/performance end..email : Maryisawesome@gmail.com, and for the art/craft end..or to be on our mailing list.. email myself at:  drawsomethingawful@gmail.com

A big thank you to those of you who have helped us get this going, and hopefully this is the start of a beautiful friendship with Boston underground arts.

A website and more information to come. Happy New Year Folks!!

Tweeting Works in Progress

Hey folks,

As some of you may know, I have a twitter (Linked on this blog).  I had a Twitter ages ago, but now am finally realizing more of its pros and cons…and working it to my advantage. So thus the new Twitter.  I hope.  As of right now I am periodically tweeting pieces as I work on them over there.  If there’s more of an interest here for works in progress, or more about my process, I may start lumping some together in some posts here.  I also am human and not completely professional, and also will tweet about other various aspects of my life….but don’t worry, I won’t be posting photos of every meal I eat.

For now, if you are interested…especially in the next ewek as a churn out pieces like mad for my upcoming show, check out my twitter feed.  http://twitter.com/LizGrammaticas. …or to go directly to photos : http://twitpic.com/photos/LizGrammaticas

None of you may care, but just in case…here ya go!

I know I have a small readership with this blog, but appreciate all you for your interest!

No One Plays Elizabeth Taylor But Elizabeth Taylor….even on Twitter

“No one plays Elizabeth Taylor but Elizabeth Taylor” -Liz Taylor via Twitter.

There’s no denying Liz Taylor.  This is not only a fact, but the lady’s life philosophy.  She is one of the few icons of Hollywood’s Golden Age not only still alive, but still broadcasting publicly that  why yes, she is still here.

Andy Warhol's 1963 Portrait. (One of the few subjects of this series still alive)

This infamous dame’s life has been about pushing and breaking boundaries.  Unlike many divas of years past, Liz Taylor never skirted around who she is and what she is about.  The most notable case would be her notorious affair with Richard Burton while filming the epic Cleopatra. In a time when Ingrid Bergman was still exiled for her child out of wedlock, Taylor was not only admitting her affair with Burton (while both married), but standing by it. She had not only the Vatican livid, but fans across the world.  At the early 60′s, this simply was not done.  She was at the cusp of a fundamental shift.

The iconic paparazzi Burton/Taylor shot.

The shift wasn’t only of a more liberal acceptance of sex outside of marriage, but also in our relationship with celebrities.  Liz started off at the end of the studio system, under the control of the studio’s rigorous  PR department.  Liz’s control over her own image increased as the studio’s power continued to fall apart (exemplified by independent scandal rags such as Confidential). Then enter the paparazzi. In the 60s, a new & powerful force.   Liz could have hid from it all, but as usual…she did things her way.  She worked them to her advantage and her scandalous headlines beat the top news headlines globally.

In 2007, Liz Taylor reminded us once again of our national captivation with her…in the form of YouTube.  The infamous “Marriage…NOOOOO!” clip watched by hundreds of thousands.  Yes Liz may have been a little tipsy, and yes, the clip was edited to leave out that she was responding to the reporters behaving like packs of wolves.  As ridiculous as it may be, Liz also successfully crossed over into YouTube/soundbite world.  We are still watching, and she is still giving.

Now, in 2010 Liz Taylor is still pushing boundaries, or at least ignoring them.  Nowadays, many celebrities have Twitter accounts.  Some of these accounts are controlled by their PR/interns, some by the celebrities themselves.   There’s those accounts only updated coldly with news and you have celebrities keeping an ongoing dialog with fans.   Liz Taylor’s account is most definitely updated by Liz Taylor.  Unlike other celebrity Tweeters, Liz’s account is more an ongoing monologue than public dialogue.  She isn’t following one fan to make them special.  She doesn’t really respond to tweets at her.  She did however ‘have a vote’ on her latest perfume names..but actual effect of this Twitter poll is unknown.  Aside from the contest,  Liz  either does not understand Twitter, or is choosing to ignore its rules.  Classic Liz Taylor.

Example:

She is beyond being confined to 140 characters. She is Liz Taylor. Thus…she ‘tweets’ paragraphs…and as with the nature of Twitter, the latest tweets show up most recent.  Thus unless you are obsessively reading Liz’s tweets as they are posted…..you are forced to go to her Twitter page to figure out what the hell she is talking about.  Once again,  Miss Elizabeth Taylor, even at age 78…..is still calling the shots.

Bravo Liz, Bravo.

Imperfectly broadcasting.

So most people know I have had my head caught up in the likes of Marilyn Monroe for quite some time now.  The basic research is seeking a better understanding of this woman’s impact within her life-time, as well as after….and in general, how and why people respond to her so strongly.  After reaching a certain depth within research, it’s hard to ignore some of the other hugely culturally significant ladies…such as Ms Jacqueline (Bouvier) Kennedy (Onasis).

We know the basics of the story.  Jackie Kennedy (& that Bostonian husband of hers) changed the face of the White House and America’s image in the early 1960s.  In 1962, Jackie’s infamous televised broadcast A Tour of the White House with Mrs. John F Kennedy aired internationally…and impacted  generations globally within their very own homes.  With it’s initial airing, 56 million American’s tuned in to see the stylish First Lady give a public tour of her private/public home/museum.   In addition, the tour was then syndicated to over 50 countries.  Jackie revamped how we see our country,our history, the role of First Lady, as well as the changing role of women in the private and public spheres.

In 2008, “A Tour of the White House” came back into the homes and TVs of Americans once more,…. as well as through computers, dvd players and probably some ipods.  This time is wasn’t the full hour-long broadcast, but clips via the characters’ TVs of AMC’s hit series Mad Men.  We see Sal, closet gay ad artman, watching the tour with his wife while quietly sitting on their couch.  Meanwhile Joan, the saucy Monroe-Jackie combo, is attempting to watch the tour while engaging in a steamy make-out session with her beau.  The show’s main couple, Betty & Don have a failed lovemaking attempt on Valentines day. After they give up, they order room service and watch the Kennedy White House tour from the bed of their hotel room. We see these various couples’ degrees of sex and lack there of, intertwined together by the fact that Jacqueline Kennedy is giving a tour of the White House on all of their TV sets.

Sal & His Wife, Mad Men Season 2

If 3/4 of the country was watching this broadcast in 62, then Mad Men is pretty dead on with the fact that Joan, Betty & Don, Sal & his wife all probably would have been watching Ms Kennedy.  Sure, we’ve got that other 1/4…but those were probably just the characters we didn’t see.  Now thanks to Mad Men, the broadcast familiar once more, but with younger generations.  Folks who didn’t get to watch the original broadcast when it aired (for whatever reasons, such as…not being born) now watched the characters watch and react to this iconic broadcast.  Folks who did watch the original broadcast, now relived a moment in ’62 that they all connected to.

The Drapers

Joan & Her New Beau

In 2010, it’s impossible for one form of media to have as a great impact as specific televised broadcasts had when Mrs. Kennedy was First Lady.    Three damn quarters of the country…using the same appliance, at the same time, watching the same formal televised broadcast.  It wasn’t because it was a national state of emergency, or the end of a pivotal presidential election.  It also wasn’t a scandalous interview with one of the worlds most iconic and reclusive pop stars.   It was a beautiful yet quirky, elegant yet mechanical well-bred woman from the New England/New York social circles, giving the interviewer, the camera, and the country a formal tour of her home/museum/ideal image.

Mrs. Kennedy and Gilbert Stuart’s George Washington Portrait

I did a couple of performances recently for the first time in ages. I  am getting my Beverly Hills, 90210 body of work rolling, and along with it comes a cultural fascination with TV.  I really haven’t done much performance in a gallery type setting, and finally had some opportunities to try it out.  Q: Why the media of performance? A: Because other medias aren’t as applicable for conveying the desired result.  The Kennedy White House Tour, as it existed in 1962 is clearly impossible almost 40 years later. We have too many forms of media, outlets, and accessible information as a whole.  So why not just avoid the media battle, and give the White House Tour as Jackie herself?  Maybe by having an interactive, one-on-one personal encounter with the Mrs. Kennedy and her tour of the White House….Mrs. Kennedy’s White House tour can still make a lasting impact on people’s cluttered memories.

@ the Cannytrophic Design Expo 2010, courtesy of Stripy Cat

At the Cannytrophic Design Expo earlier this year, I tried to put this into practice. I was Jackie.  I had my Mid-restoration White House.  I had my objects to show.  Sometimes I had tours. A lot of the time people kept walking. …and then after 6 hours Jackie got tired.   Clearly, it is not 1962…but at least these folks will probably remember that quirky Jackie trying to give some Whitehouse Tours in the corner of a gallery.

My new home is magical.

my fabulous new home.

The Distillery

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