My College Artist’s Statement. (2008)

•November 18, 2009 • Leave a Comment

I am still figuring my current body of work concerning MM, and this site is a great way to help verbalize and explore it. I thought I’d post my artist’s statement that served as the catalyst for my now intense Marilyn interest.

“Growing up, I used celebrity as an escape from dealing with the loss and mourning of recently passed-on family members. Not only did television, film, and celebrity culture serve as an escape at the time, but also loosely guided me through this turbulent period of my life. In a sense, celebrity served as ‘distanced parents’ to me, ones that I didn’t have to fear of losing. They were fabulously preserved in papers, magazines, and shiny moving images on screens. As actual people, these celebrities were no more real or fake than the people in my life that have passed on.

As years passed, I went back to immersing myself in celebrity culture, but in an investigative and nostalgic sense. The early stars of the silver screen in particular brought me a sense of comfort and identification. These stars also are physically deceased, yet there are thousands of images and sound bites of theirs preserved.

One of the particular icons I investigated was that of Marilyn Monroe, a figure that has become so engrained in pop culture that the actual person has become lost amongst the great public. Before Pop Art was launched, Marilyn was a contemporary sex and movie icon. During Pop Art, Marilyn’s role as an icon shifted into that of commodity and art, and into the painting world. After Pop Art, while some artists occasionally still continue to tackle her as subject matter here and there, for the most part photography and commodity is what remains. If you can name it, most likely Marilyn’s image and or name has been branded onto it.

Other celebrities’ images I dealt with were that of Judy Garland, Joan Crawford, and Cary Grant, each one dealt with aging publicly in a different manner. Judy Garland died at a low point from a drug overdose, looking worn and haggard. Joan Crawford left the public eye at the start of her decline to try to preserve some of her image, as well as dignity. Cary Grant did neither, he just left us with his image of the ideal male, and vacated from that image from the side door

All of these people are indeed just people, but people that have left a dent on pop culture well after their deaths. They are all still look, thought, and talked about today, yet the gap between their lives, and our post-mortem perception of them is left unacknowledged. With my thesis work, through a series of drawings, paintings, and research I sought to expand upon the question of this gap, and fill in some of that missing dialogue.”

More to come..but trying to partially use this blog to help out with some cohesion.

New York, 1955

•November 16, 2009 • Leave a Comment

Better image of recent work.

New York, 1955. Pastel, ink, gouache, and marker on paper.

Revised “Just Judy” Drawing.

•November 13, 2009 • Leave a Comment

Before my show, I went back into an older Judy Garland piece I hadn’t initially felt happy with. Here is the before and after.

JustJudyVs1

Second "Just Judy"

Ink, marker, acrylic, and pastel on paper. 2008-2009. Look at me, all…..going back into works.

(phone) Photos of mini-show at the Hot Chocolate Sparrow

•November 13, 2009 • Leave a Comment

Work is coming down next sunday. Here’s some quick photos I snapped with my phone while…at work.

Better images to come when the show comes down.

First Art Show and Indirect Communicating

•November 6, 2009 • 2 Comments

Right now some of my art is being exhibited at my work, the Hot Chocolate Sparrow in Orleans. This is the first time a body of my work has been exhibited outside of art school. I was nervous, I was intimidated, and initially I was flat out afraid.

This isn’t art school anymore. This is the real world. While it’s a cafe rather than a gallery setting, it’s still setting my work out to the public. Not just the public, but an audience I previously hadn’t exposed my work to. Cape Cod folks….which is a hard culture to describe in itself.

The amazing part is, the show has been well received. There’s something redeeming about working at my cafe-customer-service job and having the customers compliment me as an artists. It’s comforting having pretty much all my coworkers come up to me and exclaim how much they love my work. It’s reassuring to have conversations about the work, and having people get it. People that aren’t just my best friends who understand my brain, but rather people I never knew I had much in common with.

That is the greatest and most exciting thing of all. Realizing that yes, my work can connect with people. It’s such a surreal feeling.

To top it off, I found out an artist I admire likes my work. Last fall, while interning at the Provincetown Art Association and Museum, there was one artist’s work that I really connected with. Selina Trieff. Her paintings captivated me. It turns out, she came into the show and said that I “have some talent’. This is one of the things I love about art, the connection. We both independently saw each other’s work and we both connected with it, oblivious that the other person had connected with our own work. I’ve had a similar thing happen while doing Marilyn Monroe research. I was reading the book “Life Among the Cannibals” by David Marshall, and while reading the book he contacted me saying he found my work very powerful. I’ve also now been in contact with another author who’s work I love, Tara Hanks. Turns out, she likes me Marilyn work as well.

The idea of the anti-social tortured artist is bullshit. Art is communication, and I think sometimes I bury myself in theory and overthinking and my own mind. It’s really extraordinairily simple. In the age of facebook, twitter, blogs, texts, and almost every possible form of nearly instant communication……sometimes we forget that a painting, performance, or a books aren’t at all an outdated form of communication. In fact, they still manage to trump all that shit.

Introducing this blog, and a positive aspect of Marilyn Monroe’s commericialism

•October 12, 2009 • Leave a Comment

I’ve been engaged in research/an all-encompassing artistic endeavor on Marilyn Monroe for the past year or so. I never expected that Marilyn, of all people, would draw me in so thoroughly and completely. Part of this blog will be documentation of this research, and my artistic progress. Also, most likely part of this blog will also just be babble. One of the questions I get most often is “Why Marilyn Monroe?” I wish there was a way for me to conciencsely answer this question, but because of the profound impact she’s had on me…there isn’t.

For now, and for starters, here is one snitbit of one of the facets of Marilyns affect on me.

Marilyn Monroe is a constant. I’ve lost a mother, a brother, a cousin, friend, but Marilyn was never alive in my lifetime to lose. I have never had to deal with her image being removed from a household, and having to search deep emotional pockets in my brain to conjure up a memory of his/her image. Marilyn is everywhere. Forty-seven years and her ‘existence’ seems even more permanent. When life feels fleeting and chaotic, Marilyn’s image remains my glimmering constant….on t-shirts, purses, magazines, buildings, museums, on the tv, and most importantly…in my own mind.

A rare positive aspect to the commericialzation of MM

Here we go

•October 11, 2009 • Leave a Comment

It’s about time that I decide to commit to a blog, so here it is folks.  I dabbled here and there with http://poshpary.blogspot.com and http://drawsomethingawful.blogspot.com, but this will be the polished, cummulation and stronger,faster, more badasseded offspring. or we can hope.

Time to take it up a knotch.