New piece in progress

 

New piece in progress….nearing completion.  A more detailed post to come soon I my upcoming series or portraits.

I wasn’t alive but I remember

Revised a problematic piece that’s been sitting around for a while.   “I wasn’t alive but I remember”.  Mixed Media on Panel. 2012.

This piece will be on display at Fowler Art in Brooklyn for the upcoming show Space Half Empty, opening this Friday, June 15th.  Reception 7-10

Image

Also I will be participating in the Northside Art Festival Open Studios this Sunday.   Come visit my Greenpoint studio in person and say hello! If you get there early, I may even kitsch it up and serve some Marilyn wine.

Marilyn Monroe Candid Profile

New drawing I churned out after work last night.  Marilyn’s image used to be stressful and overwhelming to work with.  Finally, working with her image has become a soothing practice…now that it’s been a few years, and I’ve read more books than I can count on the dame.  I also decided to add a process shot as well.

Before:

In process shot...

"Candid Marilyn Profile" 9/2010

Sketchbook Marilyns

So I am working on just…sketching again….without pretension, without worry.  At times, I get so caught up in trying to make the perfect piece, or my anxieties about my skills that I often become just..static.  So I’ve started to keep a sketchbook again, and the crazy thing is, I am sketching..for fun.

Anyway, it’s an easy when to churn out some Marilyn studies, because like I’ve said before…due to the nature of Marilyn’s image saturated in the media..if you are going to make art about her…you better be able to get her feature right…we all know what they look like.

So, some quick studies from this week, playing around with paint markers.

Sketchbook 1

sketchbook 2

Also…can you tell I just saw a Tolouse Lautrec Exhibit at the Museum of Fine Arts?

#1 Photoshop Marilyn studies.

So as I am sure I’ve probably stated before, Marilyn Monroe is such a ridiculously hard image to work with.  You get that with any cultural icon, because icon alone is such a loaded word.  The entire subject its filled with layers and layers of meaning, opinions, facts, fiction, and associations.  I can’t figure out if its more loaded dealing with her inside the art world or inside the hollywood/biographical world, but then I remember the lack of seperation.

I’ve realized I primarily need to just organize and work with the oodles if information I have.  She is so overworked, discussed, and represented that it’s hard to actually separate from it all and deal with her image in a meaningful artist manner.  At times it seems impossible.  Organization, working, drawing, writing.  I need to keep at it.

I also need to not just isolate myself to the subject matter either.  It leads to my brain getting stuck.

So on the topic of unstucking brain/and organizing Marilyn images, I’m doing some quick photoshop studies, and will probably be posting them here.   As far as actual physical drawing, I am still working with doing studies of her  to get her image down straight and properly.  Then I will have the freedom to use her as please artistically.   These photoshop studies are simple ways to to play/organize with images of her and help articulate some thoughts.

Again, attempting to organize my brain and my at, and this blog helps.

"Is this thing on?"

Current work in progress. 12/7/09

In progress, still working at the MM studies.  However, I am finding I need to switch it up from just working on Marilyn. It gets constricting and I get stuck.  The biggest problem is dealing with my work space.  It’s tight and not conducive to art making.  So mostly I am restricted to studies to try to keep my skills in check.  Also, in order to really do what I want with Marilyn, I need to be able to draw her in my sleep.  She is one of the hardest people to draw.  You generalize too much and it becomes instant characture or cliche.  Her face is so familiar that one instantly recognizes any features that are off.  So like I said, I have to be able to draw/paint/sculpt/perform her image in my sleep.

The good news is, I am moving to an amazing amazing live/work space in January.  It’s basically my dream space.  It’s a gorgeous gigantic loft in South Boston.  I am living with my artistic brain twin, and the entire building is artists.  It’s basically the opposite of my current situation.

No more working in a corner for me!  Expect a massive increase of workflow upon moving.

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